Happenstance 

I am a teacher. 3rd generation.  If you were to ask me why I did it my stock answer would be, “for the light-bulbs.”  What I meant by that was the moment you could see understanding dawn in a student’s eyes. Or the moment when passion or love of a subject took over.  I’m retired now and that is why I have the time to indulge myself in my own learning. Last summer someone turned on a light bulb for me. It wasn’t a quick flick of a switch, but a slow charging of a battery.

Laura, from Create Art Every Day, liked one of my posts and so I went to visit her at a time when she was posting a small watercolour every day, and I was impressed. No I didn’t hop right to it. I’m more comfortable with acrylics and watercolour intimidates me. But I did use my Crayola watercolour pencils to capture the visit of a colourful arachnid to my peony. See Inspired By A Visitor.  And that was all. For about 6 months.

After Christmas I took on two goals:  

  1. Continue writing a journal.  I do a good job of a travel journal, but usually not of a more continuous variety.
  2. Learn to draw; at least a little.

I can paint, but I have never considered myself able to draw. So I bought a couple of books at a second hand store, and started following Shoo Rayner and Cathy Johnson on Youtube.  Cathy had this lovely tutorial on making folded sketchbooks from single sheets of paper-much less intimidating than a fancy new sketchbook. 20170404_204040Each night I would sit and write in my journal, and then try to sketch one small thing. Not every night, mind you, but most nights.

And black and white is pretty dull, but I had an old Prang kid’s watercolour set. Well, the rest is history.

 

 

 

 

I now have quite a collection. All small, about double ATC size, but I’ve so enjoyed it. I’m learning every day; watercolour no longer intimidates me.

Here’s a little selection of the progression

Back Deck Visitor

Back Deck Visitor – One of the first

Sketch 2

Snow Day – Under Covers

 

 

 

 

 

 

More recent sketches are definitely cleaner looking.

We have a holiday coming up, and I look forward to taking a little kit with me and adding some visuals to my travel journal. Thank You to, Danny Gregory, Liz Steel,  Koosje Koene and so many more for all the many hours of free instruction they have provided.  And thank you, Laura, for your advice and encouragement.  It may have only been a moment but we never know what little thing we do that influences someone else.  Be well.

Monika

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Struggling with Workflow

Does anyone else struggle with workflow?  I so often feel like I’m fighting my paint and supplies and organization.  Do I paint flat on my drafting table, or do I paint on the table easel?  Or do I paint at the French easel?  Do I set the clean brushes to the left  and the paint to the right or vice versa.
Right now the table looks a bit messier
than the photo in20160712_200323 yesterday’s post (which dated from February).  Paint and water to the right of me, and brushes and rags to the left of me.  Light over my left shoulder.  When I paint on paper I tape it to the hard-surfaced placemat, scored at Pipers for $1.
20160712_201109I watch many artists on Youtube and always pay attention to their workflow.  Clive uses large buckets of water, Nagualero uses a small washpot, Cinnamon uses a beer cup, Jane uses a pickle jar.  (There are links to all these people in yesterday’s post.)  I like my brushes clean so I use a jar for prewash and a commercial wash container with two sections for further wash and super clean water.  See – I’m a clean brush fanatic.  And I have a pad of paper towel with an absorbent pad beneath to dry off the brush right away.
 Acrylics carry the challenge of drying quickly, so I’ve tried all sorts of pallettes.
Plain disposable paper pallets. tin foil, peel off acrylic pallettes, wet pallets, well pallettes with paint I have “globalized” according to a method by David Jansen (no I didn’t use their products).  Globalizing has real potential, and is essentially adding a retarder to the paint.  I’ve used home made wet pallettes and commercial ones.  Didn’t find that there was much difference, although the commercial paper that goes in the top of a wet pallette is less prone to wrinkling than wax paper or parchment paper.  None of it really has felt comfortable to me.  I always seem to feel I’m fighting the paints.  Don’t mist and they dry, mist and some get runny.  And all of this results in me wasting time messing with the workflow when I want to be painting.  I just can’t seem to settle.
I would like a pallette where I can globalize my most commonly used paints and keep them stored, and sealed, but have a flat, damp surface so I can blend and add less commonly 20160712_201021used colours.  The watercolour pallette on the left has potential, It is my newest acquisition (thank you 50% off coupon at Michaels).  Perhaps it will be my solution, but it is rather small and the blending surface is smooth but not damp.  I had such hopes for the round well pallette, which was a gift from my husband when I started this journey, but there is no mixing and blending space.  Perhaps some day I’ll design my own with a sealable set of wells (6 – 8) and a wet pallette space all in one.
That’s my grumbling for today.  I would love to hear about your experiences, and your suggestions would be welcome.
Next time, let’s talk about portability.